Throughout Act I and
the beginning of Act II, Othello remains the level headed protagonist, and he
appears to be voice of reason. He seems to lose some of his reason, when he begins
to believe that Desdemona is having an affair with Cassio. Othello bases his
assumption off of Iago’s guiding comments about a potential affair between
Cassio and Desdemonia: “Did Michael Cassio, when you wooed my lady, know of
your love” (III, iii, 105-106). Othello does ask Iago for evidence of the
relationship between Cassio and Desdemona, but he still rushes to assumptions
too quickly. Othello talks out of character, because he immediately becomes
upset without seeing proof of the affair. The difference in Othello’s character
is a reflection of the change of scenery from Venice to Cyprus. Venice is the
home of reason and order, while Cyprus is viewed as more barbaric and a place
with no structure. Now that Othello is away from Venice, he is experiencing a
change of character. He does not seem as in control as he did in Venice. If
Othello, a character who is able to think rationally, is beginning to act
differently than it would seem that there would be changes in the other
characters as well.
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